The Light Between Oceans

When I learned Academy Award winners Rachel Weisz and Alicia Vikander and 12 Years A Slave/Steve Jobs nominee Michael Fassbender had a film release based on the novel of one of my favorite writers M.L. Stedman, I knew this was a must see.

Stedman’s “The Light Between Oceans” was published in the U.S. in July 2012. Immediately embraced by readers and cri􏰀tics alike, it landed on both The New York Times and USA Today’s bestseller lists, as well as,  Amazon’s Best Book of the Month for August of that year. Since then, it has been translated into over 35 languages.

Having said that, I often thought that the "light" referred to the lighthouse, which is a staple fixture of symbolism in the novel and the film.  However, after seeing the film I realized the  "light" symbolizes love, loss and the secrets that bubble to the surface.

You know that old saying..."What's done in the dark comes to light"?  Well, baby what comes to light in this film affects everyone on-screen and is emotionally wrenching.  It just goes to show you that love is an emotion that sometimes transcend all reason and common sense.  After all, you only have to forgive once.  Resentment takes too much work.

Michael Fassbender as Lighthouse keeper Tom Sherbourne is a tortured soul.  When asked about Tom, the actor commented, “These things happen in life where you have to make a choice that has no simple or right answer. The story’s not about judging who is good and who is bad. It’s really about how we deal with the outcomes of our choices, and to me that is what defines us as human beings."  Fassbender is a chameleon when it comes to inhabiting characters, which is the thing great actors are made of.  His vulnerability is admirable, yet sad and pathetic all at once.  I adore him.

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Alicia Vikander as Isabel is beautiful, spirited and determined.  Very much like her character from her Oscar-winning turn in The Danish Girl, complete with tears.  I love her, but Im'ma need her to do a drama without crying through the whole film.

Rachel Weisz was right on the money as Hannah Roennfeldt.  Every emotion she spoke through her actions and not necessarily with words.  Like Vikander, most of her scenes were extremely emotionally heart-wrenching.  Weisz is a class-act and one of her most intense scenes comes in Hannah’s first face-to-face encounter with Isabel aft􏰃er her daughter (Lucy)returns. “It’s two devoted mothers facing off,” describes Weisz, “And it’s highly charged.”

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Set in a remote part Western Australia, following the devastation of the Great War, the imagery is absolutely gorgeous and made me want to go find a lighthouse on the beach to live in far away from the noise of today's society.

The Light Between Oceans is a beautiful love story of relationships and what one does when faced with a choice to do the right thing...or not.  Distributed by Walt Disney Pictures for Dreamworks, The Light Between Oceans is released in a theatre near you on September 2nd.

https://youtu.be/w51IR_BFGyc

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Carla Renata

Fellow Movie Lovers...

Carla Renata aka The Curvy Film Critic is a graduate of Howard University and named one of 2018’s Underrepresented Critics of Color by the Los Angeles Times. Her reviews, articles and/or op-ed's have been featured at AAFCA.com, Ebony.com, NPR.org, her own site The Curvy Film Critic, ET Live! Maltin on Movies, Ebert.com, as well as Shadow and Act, EUR Web, FOX 11-LA and Variety. She has served as a moderator, host or gust film expert for MPTF’s Night Before the Oscars, Good Day LA, Fox 11-LA, Film Independent’s Spirit Awards backstage and hosted an evening of The Black Experience on Film for Turner Classic Movies sponsored by AAFCA.

Being a proud member of AAFCA (African American Film Critics Association), (OAFFC) The Online Association of Female Film Critics, (AWFJ) Alliance of Female Journalists, Tomato-meter approved critic on Rotten Tomatoes and a member of (CCA) Critics Choice Association.

The Curvy Critic with Carla Renata streams LIVE every Sunday 5pm PST via YouTube featuring reviews, news and interviews with talent in front and behind the camera.